#001. » identity » introspect .
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A Doll's Heart


Summary: When visiting your best friend, Barbara Handler, also known as Stereotypical Barbie, you make a decision to connect with the two girls who have played with your doll counterpart for years, all while dealing with issues of self-identity and love. Little did you anticipate that your heart would be captured by Joel Miller, the grumpy yet caring father of the girls. As you navigate the complexities of emotions, you also find yourself playing a role in mending the delicate threads of the Miller family's relationships.
pairing: Joel Miller x Model!Barbie!Reader
warning: 18+ content, Eventual smut, Unprotected sex, Domestic Bliss, Fluff, a sprinkle of Angst, Flirting, Joel Miller being a girl dad, Joel being hard on the outside but he is a softie, Ellie and Sarah being a chaotic duo, Ellie being a menace, Sarah being a sweetheart, reader being a maternal figure, teenage crushes.
Chapters
001. — A Doll in a Human World — [Visting your best friend, you are intrigued by how Barbara's life has evolved from the stereotypical Barbie to a human. The changes in her life raise questions within you, prompting a deeper introspection; is this life for you?] (currently working on it)
The year is 2023, and this is an au. Ellie and Sarah are both Joel’s daughters and are both 16 years old. This story is inspired by @poeticbarnes oneshot on a Joel Miller x Barbie!reader. It can be read here.
☼ Please note that I do not wish to have my work translated or published on any third party reading websites. I claim the rights to my work.
☼ Where I don't have any rights to the characters, many ideas and OC are my own creation. Please respect that.

taglist: @poeticbarnes

#female!reader#joel miller fanfiction#joel miller x f!reader#joel miller x reader#joel and sarah#joel miller fanfic#joel x y/n#joel miller x you#joel tlou#joel and ellie#joel miller#joel x reader#joel miller fic#joel the last of us#tommy miller#joel miller x afab!reader#joel miller x y/n#sarah miller#the last of us hbo#ellie williams#barbie!reader#model!reader#model!barbie!reader#maria miller#joel miller x barbie!reader#tlou hbo#barbie#barbie 2023#barbie movie#joel miller fluff
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✩ ydhent.com/artists/liv
001: profile.
legal name: moon rena stage name: LIV age: 26 training period: 3 months company: ydh entertainment position: soloist skeleton key: yfs3
002: background.
born as moon rena in busan, south korea, liv grew up in a household that balanced encouragement with high expectations. music was always present��� initially through classical vocal training, but as she got older, she found herself drawn toward kpop’s storytelling and theatricality. at 16, she was scouted by solstice media and moved to seoul, where she spent two years training before debuting in the four-member girl group syren in 2015.
syren had potential, but no traction. the industry moved fast, and they became just another name in a saturated market, quietly disbanding in 2019. the failure left a deep mark– liv felt like an idol who had slipped through the cracks– forgettable, replaceable. with no immediate path forward, she turned to ost work, recording “like a heroine in the movie” for when the camellia blooms, expecting nothing more than another fleeting moment in the industry. but the song took on a life of its own, resonating with listeners and winning best ost at the korea drama awards.
the unexpected recognition placed her firmly on the industry’s radar, leading ydh entertainment to take interest in signing her as a soloist. but to liv, a second chance didn’t feel like a victory– it felt like a test. was she truly being seen as an artist, or was she just another body with a marketable enough voice?
even as her ost work flourished, she struggled with the ghost of her failed idol career. perfectionism became a coping mechanism – she obsessed over every vocal take, every phrasing choice, every note, trying to prove– to herself more than anyone else– that she was worth the industry’s attention.
during her years at solstice media, she had taken on small drama cameos and minor musical roles, but after signing with ydh, she began actively pursuing larger roles in musical theater, where her voice– delicate yet weighted, controlled yet deeply emotional– found its truest home.
at her core, liv is both deeply introspective and emotionally messy. she appears graceful, soft-spoken, and professional, but behind closed doors, she is stubborn, dry-humored, and fiercely independent. she doesn’t need to be loud to stand out, and she rarely overshares, but for those who know her well, she is playful, sentimental, and quietly defiant.
003: image.
liv’s public image is refined and professional, but with an approachable warmth that makes her feel familiar to the public. she is carefully cultivated to reflect artistry over idoldom, yet maintains a girl-next-door appeal that keeps her from feeling distant. unlike the more influencer-driven idols of her generation, she leans into a serious musician and actress identity, but she never feels out of reach. fans describe her as effortlessly likable, someone who carries herself with grace yet still seems relatable, as if she could be a longtime friend rather than an untouchable celebrity.
she is known as the ost fairy, a title that she both appreciates and resents – osts pay the bills, but they also box her in. at the same time, her girl-next-door image adds another layer to her appeal. she is the kind of artist who can release an emotional ballad one day and share a casual behind-the-scenes vlog the next, striking a balance between polished and personable.
her transition into musical theater has been particularly well-received, solidifying her reputation as an artist with genuine vocal ability rather than just an idol-turned-singer. her lead role as katherine howard in six: the musical in 2023 marked a turning point for her acting career, proving that she had more to offer than ballads and emotional soundtracks.
though her branding is largely soft, elegant, and professional, those close to her know that she is not afraid to be blunt behind the scenes. she stays out of major scandals, preferring to keep her personal life private, though she has faced criticisms of being too distant or too calculated. some have speculated that she is too perfectionistic for her own good, an image that has only been reinforced by reports of her spending hours re-recording a single line in the studio. however, those who have worked with her describe her as warm and detail-oriented, simply a person who takes her craft seriously.
liv has largely avoided controversies, though she did face industry skepticism upon signing with ydh entertainment – some questioned whether she was truly fit to be a soloist, or if she was simply a company investment after the viral success of her ost work. over the years, she has worked to quietly prove her worth, letting her music and performances speak for themselves.
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📚 The Camino Real by Lothar J. Tuppan 📚
In this powerful and introspective narrative, The Camino Real takes readers through California’s historic missions, as Karen embarks on a journey that is both physical and spiritual. Through memories and encounters, she is forced to confront her past, her beliefs, and ultimately herself.
This beautifully written story captures the complexity of identity, purpose, and the human experience. Don’t miss this thought-provoking read. https://www.screamingeyepress.com/twisted-pulp/issue-001/the-camino-real/
#The Camino Real#Lothar J Tuppan#California missions#Spiritual journey#Haunting story#Self discovery#Identity#Faith#Introspection#Memories#Pain and healing#Emotional journey#Life and death#Mystical path#Historical fiction#Short story#Road of life#Symbolism#Personal growth#Transformation
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BOLD what applies to your muse , ITALICIZE what they like / repost , don’t reblog !
FIRE. ICE. WATER. AIR. CLAWS. FANGS. WINGS. GOLD. DIAMONDS. GRASS. LEAVES. TREES. ROSES. METAL. IRON. RUST. RAIN. SNOW. RIBBON. LACE. SILK. COTTON. SUN. MOON. STARS. BLOOD. DIRT. MUD. SILVER. STEEL. SUGAR. SALT. LAVENDER. GLASS. WOOD. PAPER. WOOL. FUR. SMOKE. ASH. OCEAN. BRUISE. SCAR. LACERATION. BRAND. BURN. WIND. SPICES. LIGHT. DARK. PAINT. CHARCOAL. WINE. HARD LIQUOR. SWEAT. DUST. BARE FEET. CANINE. FELINE. COFFEE. TEA. BOOKS. SCRATCHES. PETALS. THORNS. HAY. GLITTER. HEAT. COLD. STEAM. FROST. CANDLE. SWORD. DAGGER. AXE. LANCE. ARROW. HAMMER. SHIELD. SPIKES. SAND. ROCKS. ROOTS. FEATHERS. PEARLS. RUBIES. SAPPHIRES. EMERALDS. HERBS. WAVES. LIGHTNING. SUNLIGHT. MOONLIGHT. CLAY. STONE. BRICK. MARBLE. FRUIT. MEAT. POISON. MEDICINE. SNAKE. BIRD. CLOCK. SHELL. LEATHER. CHAIN. TIE. HAT. HEART. SPADE. CLUB. DIAMOND. GLOVES. EYES. SUNSET. SUNRISE. DAWN. DUSK. MAPS. BOOTS. LOVE. LOSS. KILLER. LIAR. HEALER. CASTLE. FORT. STRONGHOLD. HOTEL. TOWER. BRIDGE. CATHEDRAL. MUSEUM. MAUSOLEUM. GALLERY. LIBRARY. DANCE HALL. NIGHT CLUB. SCHOOL. ACADEMY. NEON. PASTEL. GOTH. GRUNGE. PREPPY. SCROLLS. INK WELLS. HAIRSPRAY. LIPSTICK. EYELINER. SHRINE. TAPESTRY. MURAL. GRAFFITI. CARNIVAL. CASINO. SKYSCRAPERS. HILLS. FARMS. ANKLETS. BRACELETS. CHOKERS. SCARVES. SWEETS. SKY. EARTH. CALLIGRAPHY. PAINTING. WRITING. EMBROIDERY.
tagged by : stole it from an old blog of mine tagging : @vadeheir , @painakin , @fareyst , @slipperglass , @glorywaited , @sunlightswallowed , @saintehylia , @hyruleir & you !
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FIFTH ANNIVERSARY TASK #001 ━━ big five personality traits.
WORD COUNT / 405 (excluding headers & trait descriptions).
OPENNESS TO EXPERIENCE (inventive/curious vs. consistent/cautious) ━━
openness describes a person’s tendency to think in abstract, complex ways. high scorers tend to be creative, adventurous, and intellectual. they enjoy playing with ideas and discovering novel experiences. people who are high in openness tend to enjoy the arts and seek out unusual, complex forms of self-expression. / harley scored relatively high on openness, and it’s true that she tends towards involving herself in the arts scene, from when she played in a band to her current career as an idol. the capacity to express herself in novel ways is exactly what draws her in, and this is definitely something that underlies her interest in songwriting as well. also, adventurousness is definitely a key trait she embodies! she’s not the type to shy away from new experiences, in fact she’s constantly on the lookout for them.
CONSCIENTIOUSNESS (efficient/organized vs. extravagant/careless) ━━
conscientiousness describes a person’s ability to exercise self-discipline and control in order to pursue their goals. low scorers are impulsive and easily sidetracked. the concept of conscientiousness focuses on a dilemma we all face: shall i do what feels good now, or instead do what is less fun but will pay off in the future? some people are more likely to choose fun in the moment, and thus are low in conscientiousness. / of course little miss impulsive over here is going to be low in conscientiousness lmao!!! yes, she’s definitely a lot more inclined to making choices that let her have fun in the moment rather than thinking about things in the long term. spontaneity forms a huge part of harley‘s personality, but this is also a downfall for her in the sense that she might end up lacking introspection and careful thought.
EXTRAVERSION (outgoing/energetic vs. solitary/reserved) ━━
extraversion describes a person’s inclination to seek stimulation from the outside world, especially in the form of attention from other people. extraverts engage actively with others to earn friendship, admiration, power, status, excitement, and romance. extroverts are especially thrilled by victories in life, especially when they earn the attention of others. / not the way she scored almost full percentage for this trait LMAO but this is absolutely spot on for harley in the sense that she experiences the epic highs and lows of life in its highest highs and lowest lows... in other words, yes she is a drama queen. and she definitely derives energy from other people! this plays into how she constructs her identity upon her interactions other people, i’m pretty sure that without social interaction harley would just wither and die from boredom.
AGREEABLENESS (friendly/compassionate vs. critical/rational) ━━
agreeableness describes a person’s tendency to put others’ needs ahead of their own, and to cooperate rather than compete with others. people who are high in agreeableness experience a great deal of empathy and tend to get pleasure out of serving and taking care of others. they are usually trusting and forgiving. people who are low in agreeableness tend to experience less empathy and put their own concerns ahead of others. low scorers are often described as hostile, competitive, and antagonistic. / harley kind of sits in the middle for this trait, and i think it’s because she can flip between both sides depending on the context (i.e., the situation she’s in and the people she’s interacting with)! she loves taking care and being around for the people she loves, but also she can tend towards being argumentative for the sake of it if she’s in that headspace.
NEUROTICISM (sensitive/nervous vs. resilient/confident) ━━
neuroticism describes a person’s tendency to experience negative emotions, including fear, sadness, anxiety, guilt, and shame. this trait can be thought of as an alarm system. people experience negative emotions as a sign that something is wrong in the world. low neuroticism scorers are more likely to brush off their misfortune and move on. / this trait is the lowest of all her scores! while she can be quite a perfectionist at times, harley is also quite an idealistic person at her core and quite literally refuses to learn what it means to have consequences for your actions. i think that inherent sense of escapism and hedonism within her translates into naive optimism, which is why she’s less likely to fixate on the negative emotions she experiences. she just likes to be happy and will almost always be in pursuit of that, so there’s no space for negativity in here!
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ohhh tagged by @vilestblood in this super cool muse aesthetic thing ty ty friend~!!💕
[RULES: fill out with 3-5 items/aesthetics that fit your muse for each category.]
CREIGHTON:
EMOTIONS / FEELINGS:
— 001. rage. white-hot and furious, violent and unstoppable; a bull with red in its eyes
— 002. vengeance. obsessive pursuit, a vendetta that never ends, the determination to redeem a name defamed
— 003. jealousy. glares and threats, pushes and shoves, anything to keep others away from what’s his
— 004. dedication. unwavering honour, stalwart and strong; a knight defending their lord to death
— 005. love. crimson and warm, tender and soft, like a lullaby singing a beast to sleep
COLOURS:
— 001. blue. the colour of the sky, of mirrah, and his eyes
— 002. grey. the colour of storm clouds on a rainy day, and the accents on his garb
— 003. white. the colour of forossa’s snow, of his forgotten past, and his hair
— 004. red. the colour of vengeance, fury, and blood
— 005. silver. the colour of metal, cold and sharp, and the murderer’s mask he wears
SCENTS:
— 001. metal, like the mask he wears
— 002. blood, like that which he draws every day
— 003. spiced incense, like that sold by the only family he knows
— 004. burning wood, like the lightning of his axe striking walls
— 005. lavender, like the love of his life’s perfume
OBJECTS:
— 001. a dragonslayer’s axe; his weapon of choice
— 002. a rack of antlers; like what’s painted on his tabard
— 003. a knight’s mask; like the one that hides his identity
— 004. a ring made of thorns; like the one given to him by pate
— 005. an estus flask; an undead favourite!
BODY LANGUAGE:
— 001. an aggressive stance, feet spaced for battle, shoulders hunched, fingers flexing
— 002. enraged eyes, icy and blue, shadowed by his helm, but piercing all the same
— 003. nervous fidgets, fingers pinching fabric, twirling locks of hair, or tapping away on objects
— 004. facial expressiveness, when the mask is removed, readable like a children’s picture book
— 005. hands balled into fists, threatening, violent, and ready to fight
AESTHETICS:
— 001. a stag in the woods, hunted for the very thing it is loved for; lit by rays of sun through the trees, yet still hidden among the leaves
— 002. an army marching to battle, banners held high, swords and shields clanging, skies grey with clouds and earth red with blood
— 003. blood on the snow, something so visceral staining something pure
— 004. lightning through a stormy grey sky, cracks of thunder and a light shower of rain
— 005. warm fires by a sleepy hearth, cups of tea and snuggly blankets, the smell of incense and a lover’s hair
—
ORNIFEX:
EMOTIONS / FEELINGS:
— 001. curiosity. an inquisitive mind, and an intense wanting to learn
— 002. loneliness. a yearning for a family that never existed
— 003. homesickness. an undying wish to return to the painted world
COLOURS:
— 001. black. the colour of sin, of a pardoner’s garb, and her feathers
— 002. grey. the colour of metal, of human souls, and her own pale flesh
— 003. gold. the colour of ornaments, of candlelight, and shiny things
SCENTS:
— 001. fire, like that which warms an anvil
— 002. rot, like a carnivore’s breath and jaws
— 003. pine needles, like the trees of her former home, forever ingrained in her feathers
OBJECTS:
— 001. a small doll; a reminder of home, and a wish to return to it
— 002. a single lit candle; something for reflection and introspection
— 003. an ornamental sword, crafted with love and care
BODY LANGUAGE:
— 001. a curious beak swaying side to side, examining the world from all angles
— 002. a submissive stance, head low and shoulders hunched, as if subconsciously knowing she is below whoever she speaks to
— 003. wings held high, always reaching for the sky, ready to fly or fight at any moment
AESTHETICS:
— 001. a hammer striking an anvil, sparks flying and the sound of metal against metal
— 002. a murder of crows flying overhead, which some may call an omen of death, but others may find a simple sign of family
— 003. a room full of shelves lined with dolls, porcelain faces all staring, eyes following you wherever you go
tagging!!: @hithernthither, @axemurderercreighton, @yellowfingcr, @notahunter, @deifiler, @umtplex (lorian or leo!), @grimoirerat, and aaaa idk who has done this yet anyone else!!!
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Interview // Clairo
For The Guardian. Read online.
Exuding all the effusive pride of a new parent, Claire Cottrill is showing me photos of Joanie, her rescue dog and the muse for her forthcoming album, Sling. “She’s actually really bossy,” the Massachusetts-raised artist better known as Clairo chuckles over Zoom, holding her phone close to the laptop screen so I can see the Instagram post more clearly. “But she’s so funny. We have such a special bond.”
According to a DNA test, the sandy-furred pup is mostly chow chow and great pyrenees, with a little bit of boxer and lab in the mix, which accounts for the fact she has tripled in size in the six-and-a-bit months since her adoption. “She was a little wolf baby; a peanut!” the 22-year-old singer-songwriter exclaims, mooning nostalgically over one particular image depicting the then seven-week-old puppy peeking out of some bushes.
Dog ownership might have become quite the ultimate lockdown cliche, but for Cottrill committing to a pet represented a rare opportunity to lay down some roots. Certainly, pre-pandemic she hadn’t had much chance to pursue a life of quiet domesticity; not since the autumn of 2018 at least, when the lo-fi bedroom pop of Pretty Girl went viral, just weeks after she started college in Syracuse.
Its winningly DIY video racked up more than 1.5m YouTube views pretty much overnight (it now stands at almost 75m), and Cottrill was heralded as a vital new voice, and part of a wave of creatively autonomous, emotionally articulate Gen Z artists, alongside the likes of Billie Eilish and Rex Orange County.
Cottrill’s rapid rise – not to mention her signing with the Fader label and Chance the Rapper’s management team – was not without controversy. A small but vocal subset on Reddit circulated the rumour that Cottrill was an “industry plant”, a conclusion they arrived at following their discovery that her father Geoff was previously chief marketing officer at Converse and co-founder of its affiliated recording studio Rubber Tracks. She has recently addressed the allegations directly, telling Rolling Stone, “I definitely am not blind to the fact that things have been easier for me.”
Largely though, Cottrill has sought to prove her detractors wrong through the quality of her compositions. First came Diary 001, an esoteric, six-track set mining skeletal hip-hop and the wipe-clean grooves of PC Music-inspired pop. That was followed in August 2019 by Immunity, the full-length debut she co-produced with ex-Vampire Weekend man Rostam Batmanglij. More revelatory than Diary 001, it detailed a suicide attempt (Alewife) and her struggles with juvenile rheumatoid arthritis (I Wouldn’t Ask You) with striking candour. Sonically, it paired tender, electronics-tinged introspection with swooning guitar-pop. Sofia, which now boasts 280m streams on Spotify, catapulted Cottrill into another league of fame entirely, leading to collaborations with Charli XCX, Mura Masa and Arlo Parks, plus arena tours in support of Khalid and Tame Impala.
Cottrill was busy with the latter when Covid hit the US. On hearing the news, she headed straight to Atlanta, Georgia, to see out lockdown with family, a period of isolation originally scheduled to last a fortnight but which went on for eight months.
Just how intense was it spending the best part of a year holed up with her parents? “It was awesome,” she insists, now back at the Brooklyn apartment she shares with fellow musicians and former college pals Claud and Josh Mehling. “My older sister came home as well. And I found it interesting that no matter how much you’ve progressed as an adult in your own life, the family roles revert back to exactly how it was as a kid.”
First and foremost, enforced confinement provided the opportunity for Cottrill to deepen her relationship with her mother.
“The conversations I had with my mom about motherhood, and the things she sacrificed for us, are really important to me,” she says. “Also, it’s like you don’t actually know who your mother is before she’s Mom, before she’s Wife, because there isn’t a huge documentation of who she was as an individual. And I realised that I might be in the period of my life now where I’m in my individual phase: before I am Mom, before I am Wife, or whatever I end up being. It was a bit scary to recognise that I could eventually have a family, and then this whole identity that I’ve had on my own for a long time can, in some ways, disappear.”
These existential ideas form the basis of Cottrill’s much-anticipated second album. Recorded in the autumn of 2020 at Allaire Studios – situated on a mountain top in upstate New York – Sling finds Jack Antonoff co-producing. Perhaps more significantly, the record also features backing vocals from Lorde – on Reaper as well as the lead single Blouse – an alliance that led to Cottrill returning the favour on the New Zealander’s latest, Solar Power.
“I met Lorde [when I was] on FaceTime with Jack,” she says of the link-up. “He was like: ‘Hey, I’m with a friend, can we say hi?’, and it was Lorde. And I freaked out, of course, but she’s the nicest person ever.
“We talked a lot about how cool it was in the Laurel Canyon era, where people would secretly do background vocals on each other’s music – like Joni Mitchell with Carole King – rather than as a way to benefit the business side of things. Back then it was just like: ‘I love your voice: will you lend your talent to my song?’ So that’s what I asked her, and I was just lucky enough that she wanted me on hers as well.”
The legacy of Laurel Canyon looms over Sling, which swaps the sparse electronic flourishes of Immunity for lush, acoustic folk, often embellished with swooning vocal harmonies, delicate strings and the warm swell of brass. Reference points for the record included Hejira-era Mitchell, the Carpenters and Harry Nilsson, alongside less obvious touchpoints, such as cult jazz musician Blossom Dearie. Most influential, perhaps, was Innocence & Despair by the Langley Schools Music Project, which features a choir of 1970s school kids covering hits of the day, and has since been hailed as a significant piece of outsider art.
“To me, that record merged my two worlds for Sling,” Cottrill explains. “I wanted that warm 70s feeling, but also I was thinking so much about kids, and especially the clumsy, sweet kid that Joanie embodies.”
There is a darker side to the record too, as Cottrill grapples with the reality of life navigating an industry that she memorably describes – on Bambi – as “a universe designed against my own beliefs”. On Blouse she describes her experiences being sexualised by record execs, while on Management she parodies the industry’s fascination with youth in lines like “She’s only 22”.
“[The attitude is] ‘There’s a lot more that we can squeeze out of her before she’s done.’ Because I think that what this industry does a lot is drain young women of everything until they’re not youthful any more.”
For Cottrill, as much as Sling is an album, it is a document of her endeavours to reassess what it is she wants from life. And adopting Joanie was only the first step: in two weeks’ time she plans to move into the house she recently purchased, in a tiny Massachusetts town in close proximity to both the Berkshire and Catskill mountains.
“It’s so awful that it took something like lockdown happening for me to reevaluate how I wanted to move forward. But it’s now about putting my mental health first, because I deserve to have nice things that I do care about. [Things] outside of music, like a house and a dog.”
As we say goodbye, I get another glimpse of Joanie, who has been snoozing throughout the interview. Sprawled on the floor at the end of Cottrill’s bed, blissfully unaware of her significance in our conversations, it’s a pretty fitting encapsulation of the pace of life that Cottrill has finally embraced.
#interview#interviews#tearsheet#tearsheets#guardian#the guardian#the guide#clairo#sling#claire cottrill
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THE EARTH
earth magic draws on the power and energy within the land itself . earth magic comes from two major domains : the stone , minerals , crystals , and gems of the land , and the flora and fauna of the living world . creatures connected to the earth are patient , sometimes stubborn , & CARE DEEPLY ABOUT THE HISTORY & BALANCE OF THE NATURAL WORLD .
tagged by : @warvalor tagging : @hvessa / @hyruleir , @painakin , @slipperglass , @glorywaited , @hefrosts , & you ! link : x
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ANTIGONE : “ I WAS BORN TO JOIN IN LOVE , NOT HATE ——— THAT IS MY NATURE . ”
in greek mythology , antigone is the daughter of oedipus . after the quarrel between her brothers ending in them both being killed , antigone is determined to bury polynices despite king creon’s wishes , and is punished . for defying creon’s wishes , she is sentenced to be buried alive in a tomb . you are , above all , resilient . you have known grief in your life , but you face your trauma with your head held high . you are immensely strong , intelligent , and passionate . you don’t believe in irony or indifference . you are brave and inspire awe in those who are closest to you .
TAGGED BY : stole from @irnmaidn & @sunlightswallowed TAGGING : @wshdreamer @wintehr @warvalor @formadr @amulatlas @verglase @streakofice @adheros LINK : x
#004. » blog » dash games .#001. » identity » introspect .#the quote is one that i adore from the sophocles play#also lmao like mother like daughter cause rea got antigone for ari too#anyways the whole ' buried alive in a tomb ' things superbly fucks me up#antigone trapped in a tomb#rapunzel trapped in the tower#rapunzel then trapped inside corona's walls#god i want to reread antigone now
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RAPUNZEL’S AGE , SUBSETS OF GOTHEL’S ABUSE , & HER STAR CHARTING .
mother gothel lied to rapunzel about her age from the time when she was about five years old , constantly throwing her age back a year or two , until even she couldn’t remember how many years ago rapunzel was actually born . it started around five years old , when rapunzel first saw the annual lantern release from their tower window , and began questioning about them . gothel , upon realization that she made a huge mistake in not changing rapunzel’s birthday , began gaslighting her : “ if i’m not mistaken , your birthday was last year ” was a major tactic she used : invalidate her experiences , and she’ll stop talking about them .
at five years old , rapunzel was told she was three ; at eight , she was six . this continued , a pattern of regression and negligence that eventually served gothel , a strategy that she reveled , and took pride in .
around ten is when rapunzel began star charting , learning from a book that gothel brought home after traveling . she started drawing and painting star charts on the roof of their tower in an effort to keep up with passing time . rapunzel never truly knew any dates , but kept track of time by seasonal changes and where the moon and sun were in the sky during period of the year . she knew her birthday was a few days after the summer solstice , and then kept watch over the course of those days for the “ floating lights ” before she ticked off another year . rapunzel kept most of her date tracking a secret from gothel , using a notebook she hid under the steps of the stairs ( the same place she hid the crown from eugene ) , away from gothel’s prying eyes .
when rapunzel returns to corona , arianna and frederic inform her that she’s been gone for twenty years , making rapunzel twenty years old . she realizes that gothel lied to her for her own selfish gain , and begins celebrating her correct birthday .
#001. » identity » introspect .#there's a timeline section on my doc that clears up some dates with movie canon according to my hc !#004. » blog » headcanon .
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YOUR GENERAL DISPOSITION :
at the present time , your behavior is characterized by your need for recognition . you find it important that other people accept and appreciate you and view you as competent . for this reason , you try hard to have everything —— including yourself —— under control , to know your way around everything and if necessary to take on unpleasant tasks . you believe you have to prove to yourself and others what you are capable of because , at the moment , your sense of self esteem is fragile .
COLORS YOU FIND MOST PLEASING —— TOP 3 : OF GREAT IMPORTANCE TO YOU NOW IS . . .
. . . OPTIMISTIC SELF ENCOURAGEMENT . again and again , you consciously adopt a positive inner attitude . this helps you to better stand up under the hardships of the present . you create goals , projects or ideals for yourself that give you a better boost and the hope that your life will be better and happier . you search for ways and means which allow you to enjoy life without care and to spend more time devoting yourself to the things that bring you joy . in order to forge ahead in good spirits you now need . . .
. . . VIGOROUS SELF ASSERTION . you now want to pull out all the stops in order to achieve what you have planned . your chances are good because if you feel something is important you are able to show initiative , grab the opportunity spontaneously and act with vigor . you can also display energetic efforts in your personal relationships : if you love or admire someone you are prepared to undertake quite a bit in order to win or hold onto their affection . you utilize a major portion of your powers for . . .
. . . JOYFUL FULFILLMENT OF YOUR DESIRES . it is very important to you to achieve what you are striving for and to experience the joyful fulfillment of your wishes . the thing that often compels you into action is your deep yearning for unadulterated , lasting happiness and inner peace . if you seek these things in the realm of material possessions , relationships and experiences , you will suffer disappointment over and over again . you believe you have the “ magic formula ” for achieving unadulterated happiness .
COLORS YOU FIND MOST UNPLEASANT —— TOP 3 : AT THE MOMENT YOU FEEL MOST ANXIOUS DUE TO YOUR . . .
. . . GRUELING TEST OF NERVES . your sense of well being is negatively affected by stressful circumstances . you often feel misunderstood , unfairly treated or left at the mercy of the unacceptable behavior of a person who is important to you . you don’t want to let on that you are aggravated by this , and you keep your irritation to yourself . inside you though , the accumulated resentment strains your nerves . for this reason , you are not very emotionally resilient at this time . you assume an exaggerated superiority despite your . . .
. . . UNPLEASANT CONTENTIOUSNESS . the behavior of certain other people is a thorn in your side . you don’t feel like putting up with just anything without objection , and because of this , you can give no guarantee you won’t end up in an argument with the person in question . your stubborn attitude could easily provoke confrontations . at the moment , you are unsure what you should do about your . . .
. . . FAINTHEARTED FEAR OF FAILURE . at the present time , you are seriously challenged by your stressful conditions . it may be job related or interpersonal difficulties or emotional problems which threaten to rob you of strength . you force yourself to face the challenge nonetheless . behind your unswerving attitude hides the immobilizing fear that you might not make it , and as a result could be exposed as incompetent or even as failure , and would lose the respect of others . you find it embarrassing .
TAGGED BY : no one, i stole it from @sunlightswallowed TAGGING : eh ? LINK : x
#004. » blog » dash games .#001. » identity » introspect .#oh damn this is#..........#god i love rapunzel sm
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IN YOUR HEART .
love is intrinsic , inevitable , love is the beating core of everything ; love is also hard to talk about . your love comes out with more rareness , mostly shows up for the big things in a big way ———— this doesn’t mean it doesn’t beat for the small stuff , you feel it all , in fact you feel it more intensely than most which is why it’s so hard to get out . you hold your love inside you because it matters , it might be the only thing that does .
TAGGED BY : stole from @verglase thx effie <3 TAGGING : i’m days late so do it if you haven’t yet! LINK : x
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YOU PROJECT YOUR INSECURITIES . people want to love you , but you’re so worried about if everyone hates you instead that you end up warding them off . you don’t have to keep yourself so locked up , it’s okay to let someone hold your hand .
TAGGED BY : stole from @irnmaidn TAGGING : uh LINK : x
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WHEN YOU SLEEP ON THEIR SHOULDER .
when you rest your head on their shoulder , when you bump your knees together sitting next to each other , and when they brush hands with you in passing . the little touches , they make up something whole . when you feel such a comforting presence you’ve subconsciously ignored , and realize one day how nice it would feel to share a bed together . when physical sensations in everyday life make you realize , “ i like having you in my hands . ”
TAGGED BY : stole from @umvetrinn TAGGING : literally a lot of people on my dash have done this already so. meh. if you see this and haven’t done it, do it.
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001. » identity » anatomy . 001. » identity » habits . 001. » identity » introspect . 001. » identity » aesthetic .
002. » relationship » eugene fitzherbert . 002. » relationship » queen arianna ; mother . 002. » relationship » king frederic ; father . 002. » relationship » the witch ; gothel . 002. » relationship » cassandra . 002. » relationship » varian . 002. » relationship » elsa . 002. » relationship » anna . 002. » relationship » hiccup horrendous haddock .
003. » destination » corona .
#tag dump.#001. » identity » anatomy .#001. » identity » habits .#001. » identity » introspect .#001. » identity » aesthetic .#002. » relationship » eugene fitzherbert .#002. » relationship » queen arianna ; mother#002. » relationship » king frederic ; father .#002. » relationship » the witch ; gothel .#002. » relationship » cassandra .#002. » relationship » varian .#002. » relationship » elsa .#002. » relationship » anna .#002. » relationship » hiccup horrendous haddock .#003. » destination » corona .
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